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Tieteberga, RV 737, Atto III, scena 11: L’innocenza sfortunata album cover

ISRC

FRX290500110

Tieteberga, RV 737, Atto III, scena 11: L’innocenza sfortunata

Song: Tieteberga, RV 737, Atto III: L’innocenza sfortunata

Ann HallenbergModo AntiquoFederico Maria Sardelli
Released 2005-06-14

Last verified:

FRX290500110 is the International Standard Recording Code (ISRC) for the recording "Tieteberga, RV 737, Atto III, scena 11: L’innocenza sfortunata" by Ann Hallenberg, Modo Antiquo, Federico Maria Sardelli, released 2005-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
X29Registrant
05Year (2005)
00110Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Tieteberga, RV 737, Atto III, scena 11: L’innocenza sfortunata" by Ann Hallenberg?
The ISRC for "Tieteberga, RV 737, Atto III, scena 11: L’innocenza sfortunata" by Ann Hallenberg, Modo Antiquo, Federico Maria Sardelli is FRX290500110.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX290500110?

FRX290500110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Tieteberga, RV 737, Atto III, scena 11: L’innocenza sfortunata" by Ann Hallenberg, Modo Antiquo, Federico Maria Sardelli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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