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ISRC

FRX290501180

Armida al campo d’Egitto, RV 699-A: Atto II, Scena 16: Recitativo (Califfo)

Song: Armida al campo d'Egitto, RV 699

Lorenzo RegazzoConcerto ItalianoRinaldo Alessandrini
Released 2006-02-21

Last verified:

FRX290501180 is the International Standard Recording Code (ISRC) for the recording "Armida al campo d’Egitto, RV 699-A: Atto II, Scena 16: Recitativo (Califfo)" by Lorenzo Regazzo, Concerto Italiano, Rinaldo Alessandrini, released 2006-02-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
X29Registrant
05Year (2005)
01180Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Armida al campo d’Egitto, RV 699-A: Atto II, Scena 16: Recitativo (Califfo)" by Lorenzo Regazzo?
The ISRC for "Armida al campo d’Egitto, RV 699-A: Atto II, Scena 16: Recitativo (Califfo)" by Lorenzo Regazzo, Concerto Italiano, Rinaldo Alessandrini is FRX290501180.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX290501180?

FRX290501180 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Armida al campo d’Egitto, RV 699-A: Atto II, Scena 16: Recitativo (Califfo)" by Lorenzo Regazzo, Concerto Italiano, Rinaldo Alessandrini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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