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ISRC

FRX400500024

Troisième œuvre, troisième suite: Allemande. Vivement

Song: Troisième Suite de la Troisième Œuvre: No. 2. Allemande. Vivement

Jean-Louis CharbonnierPaul RousseauMauricio BuragliaPierre Trocellier
Released 2005-02-11

Last verified:

FRX400500024 is the International Standard Recording Code (ISRC) for the recording "Troisième œuvre, troisième suite: Allemande. Vivement" by Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocellier, released 2005-02-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
X40Registrant
05Year (2005)
00024Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Troisième œuvre, troisième suite: Allemande. Vivement" by Jean-Louis Charbonnier?
The ISRC for "Troisième œuvre, troisième suite: Allemande. Vivement" by Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocellier is FRX400500024.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX400500024?

FRX400500024 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Troisième œuvre, troisième suite: Allemande. Vivement" by Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocellier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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