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ISRC

FRX452218439

IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO

Song: CONCERTO IN C MAJOR, IN THE STYLE OF VIVALDI

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FRX452218439 is the International Standard Recording Code (ISRC) for the recording "IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRITZ KREISLER.

Format

FRCountry
X45Registrant
22Year (2022)
18439Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCIN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO
IPIFRITZ KREISLER

Related

Songwriter profiles

FRITZ KREISLERIPI

People also ask

What is the ISRC for "IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO"?
The ISRC for "IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO" is FRX452218439.
Who wrote "IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO"?
"IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO" was written by FRITZ KREISLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRX452218439?

FRX452218439 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "IN THE STYLE OF ANTONIO VIVALDI IN C MAJOR: II. ANDANTE DOLOROSO". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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