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La seule chanson d’amour album cover

ISRC

FRY619480110

La seule chanson d’amour2

Song: SEULE CHANSON D'AMOUR, LA

Phil Barney
matched
Released 1995-01-01

Last verified:

FRY619480110 is the International Standard Recording Code (ISRC) for the recording “La seule chanson d’amour” by Phil Barney, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHILIPPE BARANES, GUY CARLIER, KAMIL RUSTAM.

Format

FRCountry
Y61Registrant
94Year (1994)
80110Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PHILIPPE BARANESComposer
GUY CARLIERComposer
KAMIL RUSTAMComposer

Credits Graph

MLC Song Code

S74432
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "La seule chanson d’amour" by Phil Barney?
The ISRC for "La seule chanson d’amour" by Phil Barney is FRY619480110.
Who wrote "La seule chanson d’amour"?
"La seule chanson d’amour" was written by PHILIPPE BARANES, GUY CARLIER, KAMIL RUSTAM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRY619480110?

FRY619480110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La seule chanson d’amour” by Phil Barney. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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