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San Vicente album cover

ISRC

FRZ039104120

San Vicente2

Song: SAN VICENTE

Trio Esperança
unmatchedNot yet matched in the MLC database
Released 1993-11-02

Last verified:

FRZ039104120 is the International Standard Recording Code (ISRC) for the recording “San Vicente” by Trio Esperança, released 1993-11-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z03Registrant
91Year (1991)
04120Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

MILTON SILVA CAMPOS DO NASCIMENTOComposer
FERNANDO ROCHA BRANTComposer

MLC Song Code

S03901
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "San Vicente" by Trio Esperança?
The ISRC for "San Vicente" by Trio Esperança is FRZ039104120.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ039104120?

FRZ039104120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “San Vicente” by Trio Esperança. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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