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ISRC

FRZ051700249

Bro gozh ma zadoù

Alan StivellGilles ServatTri YannLouis CapartSoldat LouisRenaud DetressanGwennynClarisse LavanantRozenn TalecCécile Corbel
Released 2017-06-28

Last verified:

FRZ051700249 is the International Standard Recording Code (ISRC) for the recording "Bro gozh ma zadoù" by Alan Stivell, Gilles Servat, Tri Yann, Louis Capart, Soldat Louis, Renaud Detressan, Gwennyn, Clarisse Lavanant, Rozenn Talec, Cécile Corbel, released 2017-06-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z05Registrant
17Year (2017)
00249Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Bro gozh ma zadoù" by Alan Stivell?
The ISRC for "Bro gozh ma zadoù" by Alan Stivell, Gilles Servat, Tri Yann, Louis Capart, Soldat Louis, Renaud Detressan, Gwennyn, Clarisse Lavanant, Rozenn Talec, Cécile Corbel is FRZ051700249.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ051700249?

FRZ051700249 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bro gozh ma zadoù" by Alan Stivell, Gilles Servat, Tri Yann, Louis Capart, Soldat Louis, Renaud Detressan, Gwennyn, Clarisse Lavanant, Rozenn Talec, Cécile Corbel. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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