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ISRC

FRZ075501590

Stabat mater, FP 148: V. Qui est homo

Song: Stabat Mater, FP 148: V. Quis est homo

Jacqueline BrumaireChorale de l'AlaudaOrchestre de l’Association des Concerts ColonneLouis Frémaux
Released 2001-03-20

Last verified:

FRZ075501590 is the International Standard Recording Code (ISRC) for the recording "Stabat mater, FP 148: V. Qui est homo" by Jacqueline Brumaire, Chorale de l'Alauda, Orchestre de l’Association des Concerts Colonne, Louis Frémaux, released 2001-03-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z07Registrant
55Year (1955)
01590Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1955):
Last two digits of the reference year (1955). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Stabat mater, FP 148: V. Qui est homo" by Jacqueline Brumaire?
The ISRC for "Stabat mater, FP 148: V. Qui est homo" by Jacqueline Brumaire, Chorale de l'Alauda, Orchestre de l’Association des Concerts Colonne, Louis Frémaux is FRZ075501590.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ075501590?

FRZ075501590 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Stabat mater, FP 148: V. Qui est homo" by Jacqueline Brumaire, Chorale de l'Alauda, Orchestre de l’Association des Concerts Colonne, Louis Frémaux. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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