ISRC

FRZ076001080

Cantata no. 147, BWV 147

Song: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude”

Jacques Loussier
unmatchedNot yet matched in the MLC database
Released 1960-01-01

Last verified:

FRZ076001080 is the International Standard Recording Code (ISRC) for the recording "Cantata no. 147, BWV 147" by Jacques Loussier, released 1960-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z07Registrant
60Year (1960)
01080Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1960):
Last two digits of the reference year (1960). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Cantata no. 147, BWV 147" by Jacques Loussier?
The ISRC for "Cantata no. 147, BWV 147" by Jacques Loussier is FRZ076001080.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ076001080?

FRZ076001080 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata no. 147, BWV 147" by Jacques Loussier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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