ISRC

FRZ110800256

Organ Concerto: III. Tempo allegro, molto agitato

Song: Concerto in G minor for organ, strings and timpani, FP 93: IV. Tempo allegro, molto agitato

Maurice DurufléOrchestre national de la Radiodiffusion françaiseGeorges Prêtre
Released 1987-01-01

Last verified:

FRZ110800256 is the International Standard Recording Code (ISRC) for the recording “Organ Concerto: III. Tempo allegro, molto agitato by Maurice Duruflé, Orchestre national de la Radiodiffusion française, Georges Prêtre, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
08Year (2008)
00256Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Organ Concerto: III. Tempo allegro, molto agitato" by Maurice Duruflé?
The ISRC for "Organ Concerto: III. Tempo allegro, molto agitato" by Maurice Duruflé, Orchestre national de la Radiodiffusion française, Georges Prêtre is FRZ110800256.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ110800256?

FRZ110800256 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Organ Concerto: III. Tempo allegro, molto agitato by Maurice Duruflé, Orchestre national de la Radiodiffusion française, Georges Prêtre. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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