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ISRC

FRZ110901962

Concerto pour piano et orchestre n°5 en fa majeur, op. 103 : III Molto allegro

Song: Concerto pour piano et orchestre n° 5 en fa majeur, op. 103 "L'Égyptien": III. Molto allegro

Aldo CiccoliniOrchestre de ParisSerge Baudo
Released 2012-10-28

Last verified:

FRZ110901962 is the International Standard Recording Code (ISRC) for the recording "Concerto pour piano et orchestre n°5 en fa majeur, op. 103 : III Molto allegro" by Aldo Ciccolini, Orchestre de Paris, Serge Baudo, released 2012-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
09Year (2009)
01962Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto pour piano et orchestre n°5 en fa majeur, op. 103 : III Molto allegro" by Aldo Ciccolini?
The ISRC for "Concerto pour piano et orchestre n°5 en fa majeur, op. 103 : III Molto allegro" by Aldo Ciccolini, Orchestre de Paris, Serge Baudo is FRZ110901962.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ110901962?

FRZ110901962 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto pour piano et orchestre n°5 en fa majeur, op. 103 : III Molto allegro" by Aldo Ciccolini, Orchestre de Paris, Serge Baudo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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