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ISRC

FRZ116304260

Croquis et agaceries d’un gros bonhomme en bois : II. Danse maigre (à la maniére de ces messieurs)

Song: Croquis et agaceries d'un gros bonhomme en bois : II. Danse maigre (à la manière de ces messieurs)

Aldo Ciccolini
Released 1974-01-01

Last verified:

FRZ116304260 is the International Standard Recording Code (ISRC) for the recording "Croquis et agaceries d’un gros bonhomme en bois : II. Danse maigre (à la maniére de ces messieurs)" by Aldo Ciccolini, released 1974-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
63Year (1963)
04260Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1963):
Last two digits of the reference year (1963). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Croquis et agaceries d’un gros bonhomme en bois : II. Danse maigre (à la maniére de ces messieurs)" by Aldo Ciccolini?
The ISRC for "Croquis et agaceries d’un gros bonhomme en bois : II. Danse maigre (à la maniére de ces messieurs)" by Aldo Ciccolini is FRZ116304260.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ116304260?

FRZ116304260 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Croquis et agaceries d’un gros bonhomme en bois : II. Danse maigre (à la maniére de ces messieurs)" by Aldo Ciccolini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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