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Les Troyens : Je vais mourir … Adieu fière cité album cover

ISRC

FRZ116506252

Les Troyens : Je vais mourir … Adieu fière cité

Song: Les Troyens : Acte V, no. 47. Monologue « Ah ! Ah ! Je vais mourir » (Didon)

Régine CrespinOrchestre de l’Opéra National de ParisGeorges Prêtre
Released 1987-01-01

Last verified:

FRZ116506252 is the International Standard Recording Code (ISRC) for the recording "Les Troyens : Je vais mourir … Adieu fière cité" by Régine Crespin, Orchestre de l’Opéra National de Paris, Georges Prêtre, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
65Year (1965)
06252Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1965):
Last two digits of the reference year (1965). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Les Troyens : Je vais mourir … Adieu fière cité" by Régine Crespin?
The ISRC for "Les Troyens : Je vais mourir … Adieu fière cité" by Régine Crespin, Orchestre de l’Opéra National de Paris, Georges Prêtre is FRZ116506252.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ116506252?

FRZ116506252 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Les Troyens : Je vais mourir … Adieu fière cité" by Régine Crespin, Orchestre de l’Opéra National de Paris, Georges Prêtre. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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