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  1. Home
  2. ISRCs
  3. FRZ118400103
Requiem, op. 48: VII. In Paradisum album cover

ISRC

FRZ118400103

Requiem, op. 48: VII. In Paradisum✓2

Orfeón DonostiarraOrchestre de Capitole de ToulouseMichel Plasson
matched
Released 1984-01-01

Last verified: July 24, 2026

FRZ118400103 is the International Standard Recording Code (ISRC) for the recording “Requiem, op. 48: VII. In Paradisum” by Orfeón Donostiarra, Orchestre de Capitole de Toulouse, Michel Plasson, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-924.489.944-3.

Format

FRCountry
Z11Registrant
84Year (1984)
00103Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1984):
Last two digits of the reference year (1984). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCRequiem, op. 48: VII. In Paradisum
ISWCRequiem, op. 48: VII. In Paradisum

Musical Work (ISWC)

T-924.489.944-3Requiem, op. 48: VII. In Paradisum

Credits Graph

MLC Song Code

R34403
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Requiem, op. 48: VII. In Paradisum" by Orfeón Donostiarra?+
The ISRC for "Requiem, op. 48: VII. In Paradisum" by Orfeón Donostiarra, Orchestre de Capitole de Toulouse, Michel Plasson is FRZ118400103.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. FRZ118400103 is the ISRC for this recording; T-924.489.944-3 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC FRZ118400103?

FRZ118400103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Requiem, op. 48: VII. In Paradisum” by Orfeón Donostiarra, Orchestre de Capitole de Toulouse, Michel Plasson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T-924.489.944-3, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Related

Other versions of this workView all on iswc.fm

Requiem, op. 48: In Paradisum

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In Paradisum (Requiem)

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Requiem, op. 48: VII. In paradisum

Magali Dami, Ensemble Vocal de Lausanne, Peter Harvey, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz

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Requiem (1893 version, ed. John Rutter): VII. In paradisum

The Cambridge Singers, City of London Sinfonia, John Rutter

GBAKR8452007
Requiem, op. 48 : VIII. In Paradisum

Emile Naoumoff

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FRZ118400103 is the International Standard Recording Code (ISRC) for the recording “Requiem, op. 48: VII. In Paradisum” by Orfeón Donostiarra, Orchestre de Capitole de Toulouse, Michel Plasson, released 1984-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T-924.489.944-3.

Orfeón Donostiarra, Orchestre de Capitole de Toulouse, Michel Plasson