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ISRC

FRZ118802210

Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante

Augustin DumayLondon Symphony OrchestraEmil Tchakarov
unmatchedNot yet matched in the MLC database
Released 1988-10-03

Last verified:

FRZ118802210 is the International Standard Recording Code (ISRC) for the recording "Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante" by Augustin Dumay, London Symphony Orchestra, Emil Tchakarov, released 1988-10-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z11Registrant
88Year (1988)
02210Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1988):
Last two digits of the reference year (1988). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante" by Augustin Dumay?
The ISRC for "Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante" by Augustin Dumay, London Symphony Orchestra, Emil Tchakarov is FRZ118802210.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ118802210?

FRZ118802210 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante" by Augustin Dumay, London Symphony Orchestra, Emil Tchakarov. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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