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Poèmes de Saint-John Perse - extraits de Oiseaux: IV. De ceux qui fréquentent l'altitude album cover

ISRC

FRZ130270061

Poèmes de Saint-John Perse - extraits de Oiseaux: IV. De ceux qui fréquentent l'altitude

Amin MaaloufKaija Saariaho
Released 2002-01-01

Last verified:

FRZ130270061 is the International Standard Recording Code (ISRC) for the recording "Poèmes de Saint-John Perse - extraits de Oiseaux: IV. De ceux qui fréquentent l'altitude" by Amin Maalouf, Kaija Saariaho, released 2002-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z13Registrant
02Year (2002)
70061Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Poèmes de Saint-John Perse - extraits de Oiseaux: IV. De ceux qui fréquentent l'altitude" by Amin Maalouf?
The ISRC for "Poèmes de Saint-John Perse - extraits de Oiseaux: IV. De ceux qui fréquentent l'altitude" by Amin Maalouf, Kaija Saariaho is FRZ130270061.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ130270061?

FRZ130270061 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Poèmes de Saint-John Perse - extraits de Oiseaux: IV. De ceux qui fréquentent l'altitude" by Amin Maalouf, Kaija Saariaho. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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