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Orlando furioso, RV 819: Atto secondo, Scena 13 [Coro] Diva dell’Espero album cover

ISRC

FRZ131215272

Orlando furioso, RV 819: Atto secondo, Scena 13 [Coro] Diva dell’Espero

Song: Orlando furioso, RV 819: Atto II

Modo AntiquoFederico Maria Sardelli
Released 2012-11-06

Last verified:

FRZ131215272 is the International Standard Recording Code (ISRC) for the recording "Orlando furioso, RV 819: Atto secondo, Scena 13 [Coro] Diva dell’Espero" by Modo Antiquo, Federico Maria Sardelli, released 2012-11-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z13Registrant
12Year (2012)
15272Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Orlando furioso, RV 819: Atto secondo, Scena 13 [Coro] Diva dell’Espero" by Modo Antiquo?
The ISRC for "Orlando furioso, RV 819: Atto secondo, Scena 13 [Coro] Diva dell’Espero" by Modo Antiquo, Federico Maria Sardelli is FRZ131215272.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ131215272?

FRZ131215272 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Orlando furioso, RV 819: Atto secondo, Scena 13 [Coro] Diva dell’Espero" by Modo Antiquo, Federico Maria Sardelli. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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