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Concerto in si bemolle maggiore, RV 370 “Per Pisendel”: Grave album cover

ISRC

FRZ131216110

Concerto in si bemolle maggiore, RV 370 “Per Pisendel”: Grave2

Song: CONCERTO FOR VIOLIN, STRINGS AND BASSO CONTINUO IN B FLAT MAJOR `PER PISENDEL` RV370

Dmitry SinkovskyIl Pomo d’Oro
unmatchedNot yet matched in the MLC database
Released 2013-01-28

Last verified:

FRZ131216110 is the International Standard Recording Code (ISRC) for the recording “Concerto in si bemolle maggiore, RV 370 “Per Pisendel”: Grave” by Dmitry Sinkovsky, Il Pomo d’Oro, released 2013-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z13Registrant
12Year (2012)
16110Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Concerto in si bemolle maggiore, RV 370 “Per Pisendel”: Grave" by Dmitry Sinkovsky?
The ISRC for "Concerto in si bemolle maggiore, RV 370 “Per Pisendel”: Grave" by Dmitry Sinkovsky, Il Pomo d’Oro is FRZ131216110.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ131216110?

FRZ131216110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto in si bemolle maggiore, RV 370 “Per Pisendel”: Grave” by Dmitry Sinkovsky, Il Pomo d’Oro. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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