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ISRC

FRZ132214050

Serenata a tre, RV 690, Parte prima: Aria “Digli che miri almeno” (Nice)

Song: Serenata a tre "Mio cor, povero cor", RV 690, Part I: V. Aria "Digli, che miri almeno"

Sophie RennertAbchordis EnsembleAndrea Buccarella
Released 2023-03-24

Last verified:

FRZ132214050 is the International Standard Recording Code (ISRC) for the recording "Serenata a tre, RV 690, Parte prima: Aria “Digli che miri almeno” (Nice)" by Sophie Rennert, Abchordis Ensemble, Andrea Buccarella, released 2023-03-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z13Registrant
22Year (2022)
14050Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Serenata a tre, RV 690, Parte prima: Aria “Digli che miri almeno” (Nice)" by Sophie Rennert?
The ISRC for "Serenata a tre, RV 690, Parte prima: Aria “Digli che miri almeno” (Nice)" by Sophie Rennert, Abchordis Ensemble, Andrea Buccarella is FRZ132214050.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ132214050?

FRZ132214050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Serenata a tre, RV 690, Parte prima: Aria “Digli che miri almeno” (Nice)" by Sophie Rennert, Abchordis Ensemble, Andrea Buccarella. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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