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ISRC

FRZ132424036

Arsilda, RV 700, Atto primo, Scena 15: Aria “Io son quel gelsomino” (Mirinda)

Song: Arsilda, regina di Ponto, RV 700: Act I

Marie LysLa Cetra Barockorchester BaselAndrea Marcon
Released 2025-01-28

Last verified:

FRZ132424036 is the International Standard Recording Code (ISRC) for the recording "Arsilda, RV 700, Atto primo, Scena 15: Aria “Io son quel gelsomino” (Mirinda)" by Marie Lys, La Cetra Barockorchester Basel, Andrea Marcon, released 2025-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z13Registrant
24Year (2024)
24036Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Arsilda, RV 700, Atto primo, Scena 15: Aria “Io son quel gelsomino” (Mirinda)" by Marie Lys?
The ISRC for "Arsilda, RV 700, Atto primo, Scena 15: Aria “Io son quel gelsomino” (Mirinda)" by Marie Lys, La Cetra Barockorchester Basel, Andrea Marcon is FRZ132424036.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ132424036?

FRZ132424036 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Arsilda, RV 700, Atto primo, Scena 15: Aria “Io son quel gelsomino” (Mirinda)" by Marie Lys, La Cetra Barockorchester Basel, Andrea Marcon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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