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Concert instrumental sur le titre d’Apothéose : Elégamment, sans lenteur album cover

ISRC

FRZ141402160

Concert instrumental sur le titre d’Apothéose : Elégamment, sans lenteur

Song: Concert instrumental sur le titre d'Apotheose : X. Apollon persuade Lulli ; Elegamment, sans lenteur

Gli IncognitiAmandine Beyer
Released 2014-09-08

Last verified:

FRZ141402160 is the International Standard Recording Code (ISRC) for the recording "Concert instrumental sur le titre d’Apothéose : Elégamment, sans lenteur" by Gli Incogniti, Amandine Beyer, released 2014-09-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
14Year (2014)
02160Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concert instrumental sur le titre d’Apothéose : Elégamment, sans lenteur" by Gli Incogniti?
The ISRC for "Concert instrumental sur le titre d’Apothéose : Elégamment, sans lenteur" by Gli Incogniti, Amandine Beyer is FRZ141402160.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ141402160?

FRZ141402160 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concert instrumental sur le titre d’Apothéose : Elégamment, sans lenteur" by Gli Incogniti, Amandine Beyer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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