ISRC
Matthäus-Passion, BWV 244: Teil II: Evangelista: Und da sie an die Stätte kamen / Chorus I & II: Der du den Tempel Gottes zerbrichst / Evangelista: Desgleichen auch die Hohenpriester / Chorus I & II: Andern hat er geholfen / Evangelista:
Song: Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
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FRZ148413110 is the International Standard Recording Code (ISRC) for the recording “Matthäus-Passion, BWV 244: Teil II: Evangelista: Und da sie an die Stätte kamen / Chorus I & II: Der du den Tempel Gottes zerbrichst / Evangelista: Desgleichen auch die Hohenpriester / Chorus I & II: Andern hat er geholfen / Evangelista:” by La Chapelle Royale, Philippe Herreweghe, released 1985-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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FRZ148413110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Matthäus-Passion, BWV 244: Teil II: Evangelista: Und da sie an die Stätte kamen / Chorus I & II: Der du den Tempel Gottes zerbrichst / Evangelista: Desgleichen auch die Hohenpriester / Chorus I & II: Andern hat er geholfen / Evangelista:” by La Chapelle Royale, Philippe Herreweghe. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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FRZ148413110 is the International Standard Recording Code (ISRC) for the recording “Matthäus-Passion, BWV 244: Teil II: Evangelista: Und da sie an die Stätte kamen / Chorus I & II: Der du den Tempel Gottes zerbrichst / Evangelista: Desgleichen auch die Hohenpriester / Chorus I & II: Andern hat er geholfen / Evangelista:” by La Chapelle Royale, Philippe Herreweghe, released 1985-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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