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Atys: Acte I, Scène II. "Atys, ne feignez plus" (Idas, Atys) album cover

ISRC

FRZ148712120

Atys: Acte I, Scène II. "Atys, ne feignez plus" (Idas, Atys)

Jacques BonaGuy de MeyLes Arts FlorissantsWilliam Christie
Released 1987-01-01

Last verified:

FRZ148712120 is the International Standard Recording Code (ISRC) for the recording "Atys: Acte I, Scène II. "Atys, ne feignez plus" (Idas, Atys)" by Jacques Bona, Guy de Mey, Les Arts Florissants, William Christie, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
87Year (1987)
12120Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "Atys: Acte I, Scène II. "Atys, ne feignez plus" (Idas, Atys)" by Jacques Bona?
The ISRC for "Atys: Acte I, Scène II. "Atys, ne feignez plus" (Idas, Atys)" by Jacques Bona, Guy de Mey, Les Arts Florissants, William Christie is FRZ148712120.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ148712120?

FRZ148712120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Atys: Acte I, Scène II. "Atys, ne feignez plus" (Idas, Atys)" by Jacques Bona, Guy de Mey, Les Arts Florissants, William Christie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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