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ISRC

FRZ148718010

Madrigali livre III Nº 3: Ahi, disperata vita, W. 3 Nº 18

Song: Madrigals, Book 3: “Ahi, disperata vita”

Jean-Paul FouchécourtSimon GrantMichel LaplénieGérard LesneArlette Steyer
Released 1988-01-01

Last verified:

FRZ148718010 is the International Standard Recording Code (ISRC) for the recording "Madrigali livre III Nº 3: Ahi, disperata vita, W. 3 Nº 18" by Jean-Paul Fouchécourt, Simon Grant, Michel Laplénie, Gérard Lesne, Arlette Steyer, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z14Registrant
87Year (1987)
18010Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1987):
Last two digits of the reference year (1987). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Madrigali livre III Nº 3: Ahi, disperata vita, W. 3 Nº 18" by Jean-Paul Fouchécourt?
The ISRC for "Madrigali livre III Nº 3: Ahi, disperata vita, W. 3 Nº 18" by Jean-Paul Fouchécourt, Simon Grant, Michel Laplénie, Gérard Lesne, Arlette Steyer is FRZ148718010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ148718010?

FRZ148718010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Madrigali livre III Nº 3: Ahi, disperata vita, W. 3 Nº 18" by Jean-Paul Fouchécourt, Simon Grant, Michel Laplénie, Gérard Lesne, Arlette Steyer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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