ISRC

FRZ179804840

Quatrième suite en ré majeur : Fantaisie et son double (58)

Song: Pièces de Viole: Livre V: Suite no. 4 in D major: 58. Fantaisie et Double

Jean-Louis CharbonnierPaul RousseauMauricio BuragliaPierre Trocelier
Released 1999-09-15

Last verified:

FRZ179804840 is the International Standard Recording Code (ISRC) for the recording "Quatrième suite en ré majeur : Fantaisie et son double (58)" by Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier, released 1999-09-15. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z17Registrant
98Year (1998)
04840Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Quatrième suite en ré majeur : Fantaisie et son double (58)" by Jean-Louis Charbonnier?
The ISRC for "Quatrième suite en ré majeur : Fantaisie et son double (58)" by Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier is FRZ179804840.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ179804840?

FRZ179804840 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Quatrième suite en ré majeur : Fantaisie et son double (58)" by Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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