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Funky Maxime album cover

ISRC

FRZ180200022

Funky Maxime2

Song: FUNKY MAXIME

Doc Gynéco
matched
Released 2002-01-01

Last verified:

FRZ180200022 is the International Standard Recording Code (ISRC) for the recording “Funky Maxime” by Doc Gynéco, released 2002-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAID NASSIH, BRUNO RENE BEAUSIR, SYLVAIN NOEL NOEL, and others.

Format

FRCountry
Z18Registrant
02Year (2002)
00022Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SAID NASSIHComposerLyricist
BRUNO RENE BEAUSIRComposerLyricist
SYLVAIN NOEL NOELComposerLyricist
GOUIN TAMBURRO ANTONYComposerLyricist
LOUTFI MAATOUKComposerLyricist

MLC Song Code

FE0OTO
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Funky Maxime" by Doc Gynéco?
The ISRC for "Funky Maxime" by Doc Gynéco is FRZ180200022.
Who wrote "Funky Maxime"?
"Funky Maxime" was written by SAID NASSIH, BRUNO RENE BEAUSIR, SYLVAIN NOEL NOEL, GOUIN TAMBURRO ANTONY, LOUTFI MAATOUK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ180200022?

FRZ180200022 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Funky Maxime” by Doc Gynéco. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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