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ISRC

FRZ209009203

Cosi fan tutte: Atto Primo: "Fuor la spada" (Ferrando, Don Alfonso, Guglielmo)

Song: Così fan tutte: Atto I. Recitativo “Fuor la spada” (Ferrando, Guglielmo, Don Alfonso)

Berliner PhilharmonikerDaniel Barenboim
Released 1990-01-01

Last verified:

FRZ209009203 is the International Standard Recording Code (ISRC) for the recording "Cosi fan tutte: Atto Primo: "Fuor la spada" (Ferrando, Don Alfonso, Guglielmo)" by Berliner Philharmoniker, Daniel Barenboim, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
90Year (1990)
09203Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Cosi fan tutte: Atto Primo: "Fuor la spada" (Ferrando, Don Alfonso, Guglielmo)" by Berliner Philharmoniker?
The ISRC for "Cosi fan tutte: Atto Primo: "Fuor la spada" (Ferrando, Don Alfonso, Guglielmo)" by Berliner Philharmoniker, Daniel Barenboim is FRZ209009203.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209009203?

FRZ209009203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cosi fan tutte: Atto Primo: "Fuor la spada" (Ferrando, Don Alfonso, Guglielmo)" by Berliner Philharmoniker, Daniel Barenboim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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