ISRC

FRZ209102004

Così fan tutte, K. 599: Duetto "Prenderò quel brunettino"

Song: Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella)

Lella CuberliCecilia BartoliBerliner PhilharmonikerDaniel Barenboim
Released 1990-01-01

Last verified:

FRZ209102004 is the International Standard Recording Code (ISRC) for the recording "Così fan tutte, K. 599: Duetto "Prenderò quel brunettino"" by Lella Cuberli, Cecilia Bartoli, Berliner Philharmoniker, Daniel Barenboim, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
91Year (1991)
02004Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Così fan tutte, K. 599: Duetto "Prenderò quel brunettino"" by Lella Cuberli?
The ISRC for "Così fan tutte, K. 599: Duetto "Prenderò quel brunettino"" by Lella Cuberli, Cecilia Bartoli, Berliner Philharmoniker, Daniel Barenboim is FRZ209102004.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209102004?

FRZ209102004 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Così fan tutte, K. 599: Duetto "Prenderò quel brunettino"" by Lella Cuberli, Cecilia Bartoli, Berliner Philharmoniker, Daniel Barenboim. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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