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ISRC

FRZ209309851

Phaëton: Acte Quatrième, Scène 2: Second air - "Dans ce palais" (Une des Heures, les Chœurs)

Song: Phaëton : Acte IV

Les Musiciens du LouvreMarc Minkowski
Released 1994-03-25

Last verified:

FRZ209309851 is the International Standard Recording Code (ISRC) for the recording "Phaëton: Acte Quatrième, Scène 2: Second air - "Dans ce palais" (Une des Heures, les Chœurs)" by Les Musiciens du Louvre, Marc Minkowski, released 1994-03-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
93Year (1993)
09851Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Phaëton: Acte Quatrième, Scène 2: Second air - "Dans ce palais" (Une des Heures, les Chœurs)" by Les Musiciens du Louvre?
The ISRC for "Phaëton: Acte Quatrième, Scène 2: Second air - "Dans ce palais" (Une des Heures, les Chœurs)" by Les Musiciens du Louvre, Marc Minkowski is FRZ209309851.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209309851?

FRZ209309851 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Phaëton: Acte Quatrième, Scène 2: Second air - "Dans ce palais" (Une des Heures, les Chœurs)" by Les Musiciens du Louvre, Marc Minkowski. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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