ISRC
King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces"
Song: King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans)
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FRZ209500130 is the International Standard Recording Code (ISRC) for the recording “King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces"” by Les Arts Florissants, Jonathan Best, Richard Duguay, Véronique Gens, Mhairi Lawson, Violaine Lucas, David Le Monnier, Mark Padmore, Valérie Picard, Anne Pichard, Jean-Marie Puissant, Carys Lloyd Roberts, Sheena Wolstencroft, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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FRZ209500130 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces"” by Les Arts Florissants, Jonathan Best, Richard Duguay, Véronique Gens, Mhairi Lawson, Violaine Lucas, David Le Monnier, Mark Padmore, Valérie Picard, Anne Pichard, Jean-Marie Puissant, Carys Lloyd Roberts, Sheena Wolstencroft. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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FRZ209500130 is the International Standard Recording Code (ISRC) for the recording “King Arthur: Act IV. Passacaglia - "How happy the lover" - Ritornello - "For love every creature" - "In vain are our graces"” by Les Arts Florissants, Jonathan Best, Richard Duguay, Véronique Gens, Mhairi Lawson, Violaine Lucas, David Le Monnier, Mark Padmore, Valérie Picard, Anne Pichard, Jean-Marie Puissant, Carys Lloyd Roberts, Sheena Wolstencroft, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
