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ISRC

FRZ209616826

Offenbach: Les contes d'Hoffmann, Act 2: "Je me nomme Coppélius"

Song: Les Contes d’Hoffmann : Acte II. Trio « Je me nomme Coppélius » (Coppélius, Hoffmann, Nicklausse)

Kent NaganoCatherine DuboscRoberto AlagnaJosé van Dam
Released 2016-05-20

Last verified:

FRZ209616826 is the International Standard Recording Code (ISRC) for the recording "Offenbach: Les contes d'Hoffmann, Act 2: "Je me nomme Coppélius"" by Kent Nagano, Catherine Dubosc, Roberto Alagna, José van Dam, released 2016-05-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
96Year (1996)
16826Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Offenbach: Les contes d'Hoffmann, Act 2: "Je me nomme Coppélius"" by Kent Nagano?
The ISRC for "Offenbach: Les contes d'Hoffmann, Act 2: "Je me nomme Coppélius"" by Kent Nagano, Catherine Dubosc, Roberto Alagna, José van Dam is FRZ209616826.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209616826?

FRZ209616826 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Offenbach: Les contes d'Hoffmann, Act 2: "Je me nomme Coppélius"" by Kent Nagano, Catherine Dubosc, Roberto Alagna, José van Dam. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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