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ISRC

FRZ209620005

Concierto fantástico, op. 78: I. Allegro, ma non troppo

Song: Concierto fantástico, op. 78: I. Allegro ma non troppo

Jean-François HeisserOrchestre de Chambre de LausanneJesús López Cobos
Released 2018-08-23

Last verified:

FRZ209620005 is the International Standard Recording Code (ISRC) for the recording "Concierto fantástico, op. 78: I. Allegro, ma non troppo" by Jean-François Heisser, Orchestre de Chambre de Lausanne, Jesús López Cobos, released 2018-08-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
Z20Registrant
96Year (1996)
20005Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concierto fantástico, op. 78: I. Allegro, ma non troppo" by Jean-François Heisser?
The ISRC for "Concierto fantástico, op. 78: I. Allegro, ma non troppo" by Jean-François Heisser, Orchestre de Chambre de Lausanne, Jesús López Cobos is FRZ209620005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ209620005?

FRZ209620005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concierto fantástico, op. 78: I. Allegro, ma non troppo" by Jean-François Heisser, Orchestre de Chambre de Lausanne, Jesús López Cobos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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