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Un enfant c’est comme ça album cover

ISRC

FRZ287401250

Un enfant c’est comme ça2

Song: UN ENFANT C'EST COMME CA

Michèle Torr
matched
Released 1995-01-01

Last verified:

FRZ287401250 is the International Standard Recording Code (ISRC) for the recording "Un enfant c’est comme ça" by Michèle Torr, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEAN MAURICE FRANCOIS ALBERTINI, SYLVAIN GARCIA, OLIVIER TOUSSAINT.

Format

FRCountry
Z28Registrant
74Year (1974)
01250Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1974):
Last two digits of the reference year (1974). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCUn enfant c’est comme ça
IPIJEAN MAURICE FRANCOIS ALBERTINI

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Songwriter profiles

JEAN MAURICE FRANCOIS ALBERTINIIPIOLIVIER TOUSSAINTIPI

People also ask

What is the ISRC for "Un enfant c’est comme ça" by Michèle Torr?
The ISRC for "Un enfant c’est comme ça" by Michèle Torr is FRZ287401250.
Who wrote "Un enfant c’est comme ça"?
"Un enfant c’est comme ça" was written by JEAN MAURICE FRANCOIS ALBERTINI, SYLVAIN GARCIA, OLIVIER TOUSSAINT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZ287401250?

FRZ287401250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Un enfant c’est comme ça" by Michèle Torr. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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