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ISRC

FRZDG0900381

Priego ad amore

Song: Priego ad amore, op. 1 no. 15 "Pietosissimo amore"

Matteo BellottoJaime CaicompaiMariana FloresCéline ScheenFabián SchofrinLeonardo García AlarcónCappella Mediterranea
Released 2009-09-24

Last verified:

FRZDG0900381 is the International Standard Recording Code (ISRC) for the recording "Priego ad amore" by Matteo Bellotto, Jaime Caicompai, Mariana Flores, Céline Scheen, Fabián Schofrin, Leonardo García Alarcón, Cappella Mediterranea, released 2009-09-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
ZDGRegistrant
09Year (2009)
00381Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Priego ad amore" by Matteo Bellotto?
The ISRC for "Priego ad amore" by Matteo Bellotto, Jaime Caicompai, Mariana Flores, Céline Scheen, Fabián Schofrin, Leonardo García Alarcón, Cappella Mediterranea is FRZDG0900381.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZDG0900381?

FRZDG0900381 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Priego ad amore" by Matteo Bellotto, Jaime Caicompai, Mariana Flores, Céline Scheen, Fabián Schofrin, Leonardo García Alarcón, Cappella Mediterranea. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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