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ISRC

FRZPA1802090

Push‐Ups

Song: PUSH-UPS

Ludmila CassarAndré DalcanSteve Stullgens
unmatchedNot yet matched in the MLC database
Released 2018-08-16

Last verified:

FRZPA1802090 is the International Standard Recording Code (ISRC) for the recording "Push‐Ups" by Ludmila Cassar, André Dalcan, Steve Stullgens, released 2018-08-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FRCountry
ZPARegistrant
18Year (2018)
02090Designation
Country:
ISO 3166-1 alpha-2 country code (FR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Push‐Ups" by Ludmila Cassar?
The ISRC for "Push‐Ups" by Ludmila Cassar, André Dalcan, Steve Stullgens is FRZPA1802090.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FRZPA1802090?

FRZPA1802090 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Push‐Ups" by Ludmila Cassar, André Dalcan, Steve Stullgens. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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