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ISRC

FXR522515713

Ascende laeta, RV 635: II. Recitatif. “Quam pulchri, quam formosi”

Song: Ascende laeta, RV 635: II. Recitativo "Quam pulchri, quam formosi"

Marina ViottiOrchestre de l’Opéra RoyalAndrés Gabetta
Released 2026-01-16

Last verified:

FXR522515713 is the International Standard Recording Code (ISRC) for the recording "Ascende laeta, RV 635: II. Recitatif. “Quam pulchri, quam formosi”" by Marina Viotti, Orchestre de l’Opéra Royal, Andrés Gabetta, released 2026-01-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

FXCountry
R52Registrant
25Year (2025)
15713Designation
Country:
ISO 3166-1 alpha-2 country code (FX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Ascende laeta, RV 635: II. Recitatif. “Quam pulchri, quam formosi”" by Marina Viotti?
The ISRC for "Ascende laeta, RV 635: II. Recitatif. “Quam pulchri, quam formosi”" by Marina Viotti, Orchestre de l’Opéra Royal, Andrés Gabetta is FXR522515713.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC FXR522515713?

FXR522515713 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ascende laeta, RV 635: II. Recitatif. “Quam pulchri, quam formosi”" by Marina Viotti, Orchestre de l’Opéra Royal, Andrés Gabetta. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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