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Hand on the Bible album cover

ISRC

GB2DY1800872

Hand on the Bible2

Song: HAND ON THE BIBLE

GhettsGhetto Gospel Choir
matched
Released 2018-09-14

Last verified:

GB2DY1800872 is the International Standard Recording Code (ISRC) for the recording “Hand on the Bible” by Ghetts, Ghetto Gospel Choir, released 2018-09-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOJO SIFF EMELIE MUKEZA, IAN MICHAEL GREENIDGE, JUSTIN JUDE CLARKE SAMUEL, and others.

Format

GBCountry
2DYRegistrant
18Year (2018)
00872Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHand on the Bible
IPIJOJO SIFF EMELIE MUKEZA

People also ask

What is the ISRC for "Hand on the Bible" by Ghetts?
The ISRC for "Hand on the Bible" by Ghetts, Ghetto Gospel Choir is GB2DY1800872.
Who wrote "Hand on the Bible"?
"Hand on the Bible" was written by JOJO SIFF EMELIE MUKEZA, IAN MICHAEL GREENIDGE, JUSTIN JUDE CLARKE SAMUEL, TONY AMADI, SHERELLE SARAH MCKENZIE, DANIEL BUHLEBUYEZA MILES, JAIME NALDO SA MENEZES, KADEEM CLARKE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB2DY1800872?

GB2DY1800872 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hand on the Bible” by Ghetts, Ghetto Gospel Choir. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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