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I Hope You Get to Meet Your Hero album cover

ISRC

GB2YG1300020

I Hope You Get to Meet Your Hero2

Song: I HOPE YOU GET TO MEET YOUR HERO

Skunk Anansie
matched
Released 2013-01-01

Last verified:

GB2YG1300020 is the International Standard Recording Code (ISRC) for the recording “I Hope You Get to Meet Your Hero” by Skunk Anansie, released 2013-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICHARD KEITH LEWIS, MARTIN KENT, MARK RICHARDSON, and others.

Format

GBCountry
2YGRegistrant
13Year (2013)
00020Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI Hope You Get to Meet Your Hero
IPIRICHARD KEITH LEWIS

People also ask

What is the ISRC for "I Hope You Get to Meet Your Hero" by Skunk Anansie?
The ISRC for "I Hope You Get to Meet Your Hero" by Skunk Anansie is GB2YG1300020.
Who wrote "I Hope You Get to Meet Your Hero"?
"I Hope You Get to Meet Your Hero" was written by RICHARD KEITH LEWIS, MARTIN KENT, MARK RICHARDSON, DEBORAH ANN DYER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB2YG1300020?

GB2YG1300020 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Hope You Get to Meet Your Hero” by Skunk Anansie. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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