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Believe in Love (Director’s Cut instrumental) album cover

ISRC

GB3TQ1200247

Believe in Love (Director’s Cut instrumental)

Song: I BELIEVE IN LOVE

Dawn Tallman
matched
Released 2013-08-05

Last verified:

GB3TQ1200247 is the International Standard Recording Code (ISRC) for the recording “Believe in Love (Director’s Cut instrumental)” by Dawn Tallman, released 2013-08-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ARTHUR TERENCE GALT MAC DERMOT.

Format

GBCountry
3TQRegistrant
12Year (2012)
00247Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBelieve in Love (Director’s Cut instrumental)
IPIARTHUR TERENCE GALT MAC DERMOT

People also ask

What is the ISRC for "Believe in Love (Director’s Cut instrumental)" by Dawn Tallman?
The ISRC for "Believe in Love (Director’s Cut instrumental)" by Dawn Tallman is GB3TQ1200247.
Who wrote "Believe in Love (Director’s Cut instrumental)"?
"Believe in Love (Director’s Cut instrumental)" was written by ARTHUR TERENCE GALT MAC DERMOT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB3TQ1200247?

GB3TQ1200247 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Believe in Love (Director’s Cut instrumental)” by Dawn Tallman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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