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Detour / Pontiac (live at the Barbican) album cover

ISRC

GB5EM1701737

Detour / Pontiac (live at the Barbican)2

Song: BURMA / SMILE (LIVE AT THE BARBICAN)

Sasha
matched
Released 2017-10-03

Last verified:

GB5EM1701737 is the International Standard Recording Code (ISRC) for the recording “Detour / Pontiac (live at the Barbican)” by Sasha, released 2017-10-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUKE CHABLE, GILLES YVES GUY ESCOFFIER, PHIL KROKIDIS, and others.

Format

GBCountry
5EMRegistrant
17Year (2017)
01737Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDetour / Pontiac (live at the Barbican)
IPILUKE CHABLE

People also ask

What is the ISRC for "Detour / Pontiac (live at the Barbican)" by Sasha?
The ISRC for "Detour / Pontiac (live at the Barbican)" by Sasha is GB5EM1701737.
Who wrote "Detour / Pontiac (live at the Barbican)"?
"Detour / Pontiac (live at the Barbican)" was written by LUKE CHABLE, GILLES YVES GUY ESCOFFIER, PHIL KROKIDIS, OLIVIER MATEU.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB5EM1701737?

GB5EM1701737 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Detour / Pontiac (live at the Barbican)” by Sasha. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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