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ISRC

GB5KW1703590

Nothing Lasts Forever (transformed)2

Song: NOTHING LASTS FOREVER

Echo & the Bunnymen
matched
Released 2018-10-05

Last verified:

GB5KW1703590 is the International Standard Recording Code (ISRC) for the recording “Nothing Lasts Forever (transformed)” by Echo & the Bunnymen, released 2018-10-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LESLIE THOMAS PATTINSON, IAN STEPHEN MCCULLOCH, WILLIAM SERGEANT.

Format

GBCountry
5KWRegistrant
17Year (2017)
03590Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNothing Lasts Forever (transformed)
IPILESLIE THOMAS PATTINSON

People also ask

What is the ISRC for "Nothing Lasts Forever (transformed)" by Echo & the Bunnymen?
The ISRC for "Nothing Lasts Forever (transformed)" by Echo & the Bunnymen is GB5KW1703590.
Who wrote "Nothing Lasts Forever (transformed)"?
"Nothing Lasts Forever (transformed)" was written by LESLIE THOMAS PATTINSON, IAN STEPHEN MCCULLOCH, WILLIAM SERGEANT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB5KW1703590?

GB5KW1703590 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Nothing Lasts Forever (transformed)” by Echo & the Bunnymen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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