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ISRC

GB5KW1703594

Angels & Devils (transformed)2

Song: ANGELS AND DEVILS

Echo & the Bunnymen
matched
Released 2018-10-05

Last verified:

GB5KW1703594 is the International Standard Recording Code (ISRC) for the recording “Angels & Devils (transformed)” by Echo & the Bunnymen, released 2018-10-05. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DEFREITAS, MCCULLOCH, SERGEANT, and others.

Format

GBCountry
5KWRegistrant
17Year (2017)
03594Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

DEFREITASComposer
MCCULLOCHComposer
SERGEANTComposer
PATTINSONComposer

Credits Graph

MLC Song Code

A3285G
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Angels & Devils (transformed)" by Echo & the Bunnymen?
The ISRC for "Angels & Devils (transformed)" by Echo & the Bunnymen is GB5KW1703594.
Who wrote "Angels & Devils (transformed)"?
"Angels & Devils (transformed)" was written by DEFREITAS, MCCULLOCH, SERGEANT, PATTINSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB5KW1703594?

GB5KW1703594 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Angels & Devils (transformed)” by Echo & the Bunnymen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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