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ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20) album cover

ISRC

GB5P51600200

ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)

Song: ZONE 3 FEAT. TILLA, JOSH ARCE + CHUCK20

LITTLE SIMZ
matched
Released 2016-12-16

Last verified:

GB5P51600200 is the International Standard Recording Code (ISRC) for the recording “ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)” by LITTLE SIMZ, released 2016-12-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSH ARCE, SIMBIATU ABISOLA ABIOLA AJIKAWO, ATILLA AHRON ARCE, and others.

Format

GBCountry
5P5Registrant
16Year (2016)
00200Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)" by LITTLE SIMZ?
The ISRC for "ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)" by LITTLE SIMZ is GB5P51600200.
Who wrote "ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)"?
"ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)" was written by JOSH ARCE, SIMBIATU ABISOLA ABIOLA AJIKAWO, ATILLA AHRON ARCE, REMY LAMAR JOHN, MATHIEU SANDA RAKOTOZAFY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB5P51600200?

GB5P51600200 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ZONE 3 (FEAT. TILLA, JOSH ARCÉ + CHUCK20)” by LITTLE SIMZ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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