Firing Pin (Neonlight remix) album cover

ISRC

GB8KE2052035

Firing Pin (Neonlight remix)2

Song: FIRING PIN

Dub ElementsGydra
matched
Released 2020-08-07

Last verified:

GB8KE2052035 is the International Standard Recording Code (ISRC) for the recording “Firing Pin (Neonlight remix) by Dub Elements, Gydra, released 2020-08-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANTONIO CANO DE LA TORRE, JOSE LUIS VAZQUEZ MARTIN.

Format

GBCountry
8KERegistrant
20Year (2020)
52035Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANTONIO CANO DE LA TORREComposerLyricist
JOSE LUIS VAZQUEZ MARTINComposerLyricist

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Firing Pin (Neonlight remix)" by Dub Elements?
The ISRC for "Firing Pin (Neonlight remix)" by Dub Elements, Gydra is GB8KE2052035.
Who wrote "Firing Pin (Neonlight remix)"?
"Firing Pin (Neonlight remix)" was written by ANTONIO CANO DE LA TORRE, JOSE LUIS VAZQUEZ MARTIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB8KE2052035?

GB8KE2052035 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Firing Pin (Neonlight remix) by Dub Elements, Gydra. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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