ISRC

GB8XC1036675

I GOT A GAL FOR EVERY DAY IN THE WEEK

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GB8XC1036675 is the International Standard Recording Code (ISRC) for the recording “I GOT A GAL FOR EVERY DAY IN THE WEEK. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOE TURNER.

Format

GBCountry
8XCRegistrant
10Year (2010)
36675Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOE TURNERComposerLyricist
CHERIO CORPORATION KOBALT MUSIC PUB AMERICA INC OriginalPublisher0.00%IPI: 00006010061
KOBALT MUSIC PUB AMERICA INC SubPublisher100.00%IPI: 00503659557

Who publishes this song?

CHERIO CORPORATION KOBALT MUSIC PUB AMERICA INCOriginalPublisher
IPI: 00006010061
KOBALT MUSIC PUB AMERICA INCSubPublisher
IPI: 00503659557

MLC Song Code

SourcesMLCMusicBrainz2 sources

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People also ask

What is the ISRC for "I GOT A GAL FOR EVERY DAY IN THE WEEK"?
The ISRC for "I GOT A GAL FOR EVERY DAY IN THE WEEK" is GB8XC1036675.
Who wrote "I GOT A GAL FOR EVERY DAY IN THE WEEK"?
"I GOT A GAL FOR EVERY DAY IN THE WEEK" was written by JOE TURNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB8XC1036675?

GB8XC1036675 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I GOT A GAL FOR EVERY DAY IN THE WEEK. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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