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ISRC

GB8XC1047345

NEVER LET ME GO

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GB8XC1047345 is the International Standard Recording Code (ISRC) for the recording “NEVER LET ME GO”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHNNY TILLOTSON.

Format

GBCountry
8XCRegistrant
10Year (2010)
47345Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

JOHNNY TILLOTSONComposerLyricist
MAYDU INC. OriginalPublisherIPI: 00199201064

Who publishes this song?

MAYDU INC.OriginalPublisher
IPI: 00199201064

Credits Graph

MLC Song Code

NC3L5O
Verify on MLC Portal →
SourcesMLCMusicBrainzMLC3 sources

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People also ask

What is the ISRC for "NEVER LET ME GO"?
The ISRC for "NEVER LET ME GO" is GB8XC1047345.
Who wrote "NEVER LET ME GO"?
"NEVER LET ME GO" was written by JOHNNY TILLOTSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GB8XC1047345?

GB8XC1047345 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NEVER LET ME GO”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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