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Man on the Corner (live) album cover

ISRC

GBAAA0000825

Man on the Corner (live)2

Song: MAN ON THE CORNER

Genesis
unmatchedNot yet matched in the MLC database
Released 2000-11-06

Last verified:

GBAAA0000825 is the International Standard Recording Code (ISRC) for the recording “Man on the Corner (live)” by Genesis, released 2000-11-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AAARegistrant
00Year (2000)
00825Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PHIL COLLINSComposer
PHIL COLLINS OriginalPublisher0.00%
CONCORD MUSIC GROUP, INC. DBA CONCORD SOUNDS RightsAdministrator100.00%IPI: 00601712397

Who publishes this song?

PHIL COLLINSOriginalPublisher
CONCORD MUSIC GROUP, INC. DBA CONCORD SOUNDSRightsAdministrator
IPI: 00601712397

MLC Song Code

M17784
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Man on the Corner (live)" by Genesis?
The ISRC for "Man on the Corner (live)" by Genesis is GBAAA0000825.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAAA0000825?

GBAAA0000825 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Man on the Corner (live)” by Genesis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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