Don’t Take Me for a Loser album cover

ISRC

GBAAA0200710

Don’t Take Me for a Loser2

Song: DON'T TAKE ME FOR A LOSER

Gary Moore
unmatchedNot yet matched in the MLC database
Released 1982-01-01

Last verified:

GBAAA0200710 is the International Standard Recording Code (ISRC) for the recording "Don’t Take Me for a Loser" by Gary Moore, released 1982-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

GBCountry
AAARegistrant
02Year (2002)
00710Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

GARY MOOREComposer
EMI 10 MUSIC LTD OriginalPublisher0.00%IPI: 00177190258
EMI BLACKWOOD MUSIC INC RightsAdministrator100.00%IPI: 00223437493

Who publishes this song?

EMI 10 MUSIC LTDOriginalPublisher
IPI: 00177190258
EMI BLACKWOOD MUSIC INCRightsAdministrator
IPI: 00223437493

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Don’t Take Me for a Loser" by Gary Moore?
The ISRC for "Don’t Take Me for a Loser" by Gary Moore is GBAAA0200710.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAAA0200710?

GBAAA0200710 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don’t Take Me for a Loser" by Gary Moore. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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