SECOND HOME BY THE SEA 2007 REMASTER album cover

ISRC

GBAAA0700969

SECOND HOME BY THE SEA 2007 REMASTER

Song: SECOND HOME BY THE SEA

GENESIS
matched
Released 2007-10-01

Last verified:

GBAAA0700969 is the International Standard Recording Code (ISRC) for the recording "SECOND HOME BY THE SEA 2007 REMASTER" by GENESIS, released 2007-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHIL COLLINS, ANTHONY BANKS, MICHAEL RUTHERFORD.

Format

GBCountry
AAARegistrant
07Year (2007)
00969Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PHIL COLLINSComposer
ANTHONY BANKSComposer
MICHAEL RUTHERFORDComposer

MLC Song Code

SourcesNotes

Verified on

People also ask

What is the ISRC for "SECOND HOME BY THE SEA 2007 REMASTER" by GENESIS?
The ISRC for "SECOND HOME BY THE SEA 2007 REMASTER" by GENESIS is GBAAA0700969.
Who wrote "SECOND HOME BY THE SEA 2007 REMASTER"?
"SECOND HOME BY THE SEA 2007 REMASTER" was written by PHIL COLLINS, ANTHONY BANKS, MICHAEL RUTHERFORD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAAA0700969?

GBAAA0700969 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SECOND HOME BY THE SEA 2007 REMASTER" by GENESIS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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