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WAY OF THE WORLD (2007 - REMASTER) album cover

ISRC

GBAAA0700990

WAY OF THE WORLD (2007 - REMASTER)

Song: WAY OF THE WORLD

GENESIS
matched
Released 2007-01-01

Last verified:

GBAAA0700990 is the International Standard Recording Code (ISRC) for the recording “WAY OF THE WORLD (2007 - REMASTER)” by GENESIS, released 2007-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHIL COLLINS, ANTHONY BANKS, MICHAEL RUTHERFORD.

Format

GBCountry
AAARegistrant
07Year (2007)
00990Designation
Country:
ISO 3166-1 alpha-2 country code (GB).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PHIL COLLINSComposer
ANTHONY BANKSComposer
MICHAEL RUTHERFORDComposer

MLC Song Code

W13539
Verify on MLC Portal →
SourcesNotes

Verified on

People also ask

What is the ISRC for "WAY OF THE WORLD (2007 - REMASTER)" by GENESIS?
The ISRC for "WAY OF THE WORLD (2007 - REMASTER)" by GENESIS is GBAAA0700990.
Who wrote "WAY OF THE WORLD (2007 - REMASTER)"?
"WAY OF THE WORLD (2007 - REMASTER)" was written by PHIL COLLINS, ANTHONY BANKS, MICHAEL RUTHERFORD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC GBAAA0700990?

GBAAA0700990 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WAY OF THE WORLD (2007 - REMASTER)” by GENESIS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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